Insecurity is a common problem among authors. How do you know whether the book is good enough yet? What if people hate it? New authors tend to compare their efforts against well-known writers and literary masterpieces, but keep in mind, even famous authors had their doubts. Here are some of them.   JG Ballard and The Wind from Nowhere British New Wave SF writer J.G. Ballard, who wrote the (in)famous

I’m going to be making graphics for each individual rule, plus a big poster of them all. (Also… a zombie version!). For now, here are the common things most people screw up. Even if you know these rules, your brain does funny things when you’re tired or not paying attention; so self-edit and make sure you catch them all.   The use of “who” and “whom” Who – subjective pronoun, like

Collectively, Book Butchers edit almost one hundred books a year, and we have decades of book editing experience. But more and more frequently, good editors are becoming “writing coaches” for authors who have never taken the time to learn how to tell a great story.   If you’ve never studied the craft – plot, dialog, pacing, story structure, tension and character description, etc. – we’re going to spend the majority

I’m about finished with my first ever full rough draft for my first ever novel. I’ve been an editor for ten years but am now working on my own fiction. Luckily, I’ve done some things right: I plotted exhaustively I went back and added tension, raised stakes, built in conflict I rearranged things so my protagonist has a character arc I hit all the right steps in the right places.

I get a lot of people who email me and ask about book editing. How do you choose an editor? What should you look for? How do you know if they’re doing a good job? Every editor will have a unique approach and style, however all we can do is build on what you give us. Your novel is kind of like a rough sketch of a product design. We’ll

I was speaking at the Willamette Writer’s conference last week and met a bunch of authors: mainly traditional or agented ones. Many bestsellers and mega-publishing stars. This is what I heard again and again: traditional publishers don’t have time to edit anymore, or they don’t have the confidence to suggest changes when dealing with superstar authors. Some authors even have in their contract that the publisher can’t edit their writing

“Quantity produces quality,” Ray Bradbury once said. “Write only a little, and you’re doomed.” Because at the end of the day, as a professional writer, you write for money. That’s what it means to be a professional. It doesn’t mean you’re better than the amateur. It means you do it for the money. A whore who only fucked one client a month would starve. And as a word whore, if

We had a lot of great essays but could only pick one winner, and it was… Jail Time, Poo, and Writing by Crystal Aceves Crystal will get a free edit and we’re going to help her redo her book cover and finalize her print book. We also decided to award some runner-up prizes. These other essays also caught our attention – the writers will get 20% off editing at Book

I knew I was meant to write the moment I discovered not everyone salivates over a blank notebook and a freely flowing ink pen. I knew I was meant to convey my thoughts through people who didn’t exist outside of my imagination. I knew I’d spend my days playing in cream pages soaked with black typeface.   I knew I was meant to live a thousand lives within my own.

Like many, I’d struggled for a number of years trying to squeeze out a book. Then it hit me, it hit me like a freight train, and now I can’t stop writing. Yes, I can almost, hear you thinking as you read this. Jerk!   If it makes you feel better, I’ve heard it to my face too, and on more than one occasion. What I’d started to do, as